the online magazine about life as a creative process

 

Moving Day

 

by Ray Rasmussen

 

 

     
 

Reluctantly, I park, walk through the tiny back yard, pass the one small tree with but a few leaves left hanging on it and enter Kenneth's home. It's a chill Fall day. Gray cloud masks the sun.

Last July, after a somewhat stormy love affair, Kenneth and Fiona had decided to give 'it' a try and she moved in with him.

But on this day, the day before Thanksgiving, I have agreed to help Kenneth move her belongings out of his home while she is away. She is unaware that we are to do this. When we finish, he will change the locks on the doors and under the advice of his lawyer, he will send Fiona a letter telling her to refrain from all future contact.

We move slowly through the house, decide what has to be done, divide up the work. In the few short months that she has lived here, Fiona is found everywhere, a blouse hanging on a doorknob, her shoes in the entrance hall, cosmetics in the bathroom, a book on the coffee table, her music CDs.

In the bedroom, I pack her clothing, personal things that I feel I shouldn't be touching. I can smell her scent. There's a flower-patterned dress and I have a vision of her frolicking in it with him. I try to be respectful by folding things carefully, but I know that it won't matter. I am, after all, no better than a silent assassin.

Kenneth begins to talk. He speaks of their relationship as having gutted him emotionally and financially. He fears that she will ignore the lawyer's letter, come back, ring the bell endlessly, leave hateful phone messages, break windows, kick in the door, strike out at him. All of this she has done before, he tells me. I try to marry these images with the one he had told earlier of them making crazed love on the kitchen floor.

We finish packing and begin loading the van. Kenneth is anxious to finish before she returns, an anxiety that has transferred to me. I continually have to fight the urge to flee. I'm like a thief in the apple orchard listening for the farmer's footsteps.

On leaving, I notice a small calendar hanging near the fridge. Thanksgiving day, tomorrow, has been circled in. I glance at the empty table and wonder what had been planned for their thanksgiving.

As his last act, Kenneth looks over the small backyard, picks up the only things left out, two bricks, and locks them into the garage.

I raise my eyebrows in a 'what for?' expression.

"The last time we fought, she threw a rock through the window," he explains.

I am gripped by what some call the jaws of the black dog of depression. I don't mention my feelings to Kenneth--this is not the time for me to speak of my own relationship trials. But I know that we aren't just moving Fiona out. We are walking in a parade of ghosts, of my own ghosts, of friends and lovers lost.

thanksgiving eve --
the last leaves soon to fall
from the tree

 
     
 

 

     
 

Ray Rasmussen is a photographer who lives in Edmonton, Alberta, Canada. He spends a good deal of his outdoor time in Canyonlands National Park, Utah and in one of Canada's most remote and untouched provincial parks, Willmore Wilderness just North of Jasper National Park. He writes haiku poetry and its related forms haibun [prose plus haiku]. He is also active in creating haiga [haiku plus images]. In a previous life he was a University Professor. See website.

 
     

 

     
   
     

 

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