the online magazine about life as a creative process

 

Toy Men Play Utopia

 

by Sandy Kinnee

 

 

     
 

My brother, Tom, asked for my help when he remodeled his hundred year old house. I thought he only needed me to pick out paint colors for his walls.
Instead, I found myself underneath his house, in the dark, crawling on my belly with a flashlight. Down it that dark space I entered a figurative world of caves. I saw the underside of a century-old floor and joist as rock walls and stalactites, places where drawings might be made as drawings alone, not drawings to be viewed. Just drawings. Yes, the type of marks imaginary civilizations or lost worlds may leave behind, enigmatic and indecipherable.

I considered making (or not making) these marks myself on the underside of these floorboards and I thought of the half hidden worlds created by Charles Simonds. Those bits and pieces, minute remnants of alternative civilizations, painstakingly created organic villages tucked into near secret locations. The best known and preserved example is on the stairwell of the Whitney Museum. Coming upon a tiny unpeopled space that Simonds has created is not unlike discovering a place like Mesa Verde, the long abandoned cliff side architectural remains of the Anasazi civilization. I remember seeing a small blob of red clay, the same color clay as the fired brick walls it was clinging to just out of reach on an exposed exterior wall in Soho. I thought I was seeing an odd wasp's nest and looked closer. It was a miniature cluster of simple dwellings for beings no taller than a gum drop.

During the time I worked at Oberlin College, Charles Simonds was commissioned to build a portable microcosm of red clay on a wooden base.
While I watched him slowly build this small world, I was struck by the universality of creating personal worlds and spaces.

Somewhere in early adolescence we dream of owning our own island and reinventing civilization. Some use dollhouses as the medium, others plan on winning the lottery to build the personal island nation. For my brother, Tom, and I, it was a larger, but not abandoned world, inhabited by toy men.

Toy men, the usual plastic type, sold in bags of fifty or more, came in limited variety. Most often they were soldiers in full battle dress, shooting rifles indiscriminately, bayoneting the air, crawling on their bellies, or carrying injured comrades on stretchers. The second most common type were bags of cowboys, Indians and a few horses thrown in to fight over, also in a limited variety of frozen aggressive poses.
Whether soldiers, cowboys, or Indians, the toy men were members of the "ungentle" gender.

There were never any women. The lack of women limited the suggested types of activities to war, murder, invasion, shooting, and carrying off the dead and wounded. Peaceful activities could be attempted but were unconvincing due to the postures and poses of most toy men.

Carrying off the dead and wounded was an interesting concept. Doctors, nurses, and priests were non-existent. Soldiers were expected to return to duty by the next day unless run over by a law mower. On rare occasions when one might become lost or buried, resurrection was not only an option, but an inevitable certainty, if found or unearthed. Even if buried a year or more, a toy man would instantly be revivified the moment he was extracted from the soil.

These were not Gods, merely unnamed immortals.

The world of toy men is often a world at war. War is the constant for toys with aggressive postures. In such a world of constant war, violence can become real. The use of burning liquids can turn leaders and followers alike into flattened blobs of plastic.

There were, however, two named immortals amongst the toy men. Jim and
Henry moved beyond the nature of their type and forged peace through adventure and sport.

Tom had selected a stretcher bearer as "his man," Jim Dawson. Jim was a pensive man, always at the ready to give a hand or two, never one to shirk a burden. Jim was a cautious leader who could also follow, either as front or rear stretcher bearer might be expected to do.

Jim never fought and was the promoter of the monthly Olympics, which required that all toy men participants must be relieved of their weapons (usually with the help of a razor blade) and painted the colors of the flag for the country they represented.

Jim was also the main importer of building materials for all construction projects, which is the acknowledged source of his great financial wealth and power. Without Jim, there would never have been the institution of the monthly Olympics and our basement might have looked like anyone else's.

The other named toy man was mine. He was not at all like other toy men.
He was not cowboy, Indian, or soldier. His color wasn't red, olive drab, or green; but white. He held no weapon. He stood with his hands at his side, at attention.

Normally, toy men were purchased in groups of 25 or 100 at a time. "My man," who I named "Henry Ford," didn't come in a set, but was purchased as a single item at the Ben Franklin 5 & 10 store. Henry Ford stood on an attached plinth, making him slightly taller than other men of plastic. Written across the face of his pedestal were the words "William McKinley, President." I still called him Henry Ford.

William McKinley was the dead president my elementary school had been named after. Other assassinated presidents, Lincoln and Garfield, were honored with schools named in their memory. I attended Garfield Junior High and
my grandmother taught at Lincoln. Lincoln Junior High's school colors,
were black and white. Go figure.

My man was called Henry Ford. My Henry Ford was not only an innovator, he was a pacifist, and an explorer. His efforts at maintaining world peace were most eloquently expressed in his unbridled, enthusiastic support of the monthly Olympic movement. Henry not only designed and constructed many important Olympic venues, but won a large number of gold medals, especially in the winter Olympics of December 1959, January 1960 and February 1960. His Olympic record in the unmanned bobsled-ski jump remains unchallenged.

Many of the Olympic venues and world exploration required importation of many buckets of clay and wood scraps from nearby construction sites.
This importation took place without the knowledge of either of our parents. Jim, through his alter-ego, Tom transported buckets and buckets of damp, moldable clay until the one-half of the basement, known to our parents as the furnace room and storage room, was filled so the only places one might safely step were the major roadways and mountain paths linking the variously discovered parts of the world and Olympic villages.

Ships that plied the water routes to the many lands required only small quantities of actual water. The voyages were sometimes facilitated by the creation of virtual, blue waterways. Unfortunately, the blue paint did not dry very fast and we had to stop using it or come up with an excuse mom might find reasonable for the condition of our hands and pants.

Perhaps our ever-expanding world might have become more elaborate and fantastic if not for the unfortunate convergence of the live chickens and backed up sewer. How Tom and I got a box of baby chicks, I don't recall. Maybe some neighborhood kid received them for Easter and passed them on to us because they were no longer cute. We also got a package of chick food and a bowl of water. This made for a bizarre new land for Henry and Jim to explore. At first, the inhabitants of this new world were a curiosity, later a calamity.

The chickens had been invited to participate in the Olympics, but lacked skill and competitiveness. They were banned from future Olympics, but certainly would not have qualified in any normal event, team or individual. The really bad part of having chickens was that they grew quickly, despite an effort to not feed them, and would not remain in the box. They caused great consternation and havoc wherever they went. Toy men fell over everywhere the chickens went! Ships and cars were knocked off course, buildings toppled, and chicken shit was everywhere.

Then came the flooding. Tom and I were away at Cub Scouts when the basement sink and laundry started to back up from a mysterious sewer blockage.
Had Jim really put rocks and fiberglass insulation in the toilet as a science experiment?
No one knew.

What we did know is that when we came home all the doors were open and dad was swearing in the basement.

The next day, like a reversal of Noah's flood, our utopian world and floating chickens were gone. Grandma Kinnee took the chickens, which she fattened up and roasted. Mountains, villages and entire mono sexual communities were erased. History was changed and the monthly Olympics never occurred again.

Some of Charles Simonds' small, vanished civilizations have been washed away by wind, rain, and snow. Others are preserved for posterity.
Secret drawings, deep in geologic caves and lesser drawing which may or may not be underneath floorboards are safe from discovery. All else is swept away. Even the trash man doesn't know what he has removed.


P.S.
I look back on this today and see that "The Sims" fill the need today for constructing a personal model of the world. We play at utopia building with toy men or Sims but we are foiled, always, by the giant chickens.

 
     
 

 

     
 

Sandy Kinnee is an artist whose work figures in the collections of many museums, including the Metropolitan Museum of Art. He lives in Colorado Springs. See website.

 
     

 

     
   
     

 

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